THE MAN WHO WAS THURSDAY THE INNOCENCE OF FATHER BROWN 978-1-68370-163-7 • $14.99 Paperback • 5.5 x 8.5 • 192 pages FICTION / Christian / Suspense Gilead Classics • Rights: World July 31, 2018 ISBN 978-1-68370-163-7 9 7 8 1 6 8 3 7 0 1 6 3 7 The Man Who Was Thursday A Nightmare G. K. Chesterton; adapted by James Stuart Bell A metaphysical thriller of poetry and politics Gabriel Syme, a poet turned detective, infiltrates a secret meeting of anarchists in an attempt to derail a terrorist plot. But when he’s elected “Thursday”—one of seven members of the Central Anarchist Council—the real nightmare begins. Gabriel discovers that he’s not the only one in disguise. Rediscover G. K. Chesterton’s 1908 masterpiece in which he challenges readers to consider how their faith plays out in a mate- rialistic society. This new edition has been updated to make the text more accessible for the modern reader. The Innocence of Father Brown A Collection of Short Stories Regarding the Famous Detective G. K. Chesterton; adapted by James Stuart Bell The curious cases of G. K. Chesterton’s disarming sleuth, updated for modern readers This first volume of G.  K. Chesterton’s mysteries marks the debut of a most unusual detective: Father Paul Brown, a short, stumpy priest with an extraordinary and uncanny ability to spot the evil that lies in human hearts. In these twelve stories, Father Brown uses his wisdom, common sense, and experience as a confessor to solve baffling, fascinating crimes—and save lost souls along the way. Updated for the modern reader, The Innocence of Father Brown is primed to draw in new fans. 978-1-68370-165-1 • $14.99 Paperback • 5.5 x 8.5 • 272 pages FICTION / Christian / Suspense Gilead Classics • Rights: World July 31, 2018 ISBN 978-1-68370-165-1 9 7 8 1 6 8 3 7 0 1 6 5 1 G. K. Chesterton (1874–1936) was a prolific English journalist and author best known for his mystery series featuring the priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Renowned for his wit, rhetorical brilliance, and ingenious paradoxes, Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology. FICTION | 23 | www.kregel.com